nubbsgalore

nubbsgalore:

during the autumn rutting season, red deer stag find themselves with elaborate bracken crowns from having rubbed their heads against the ground, which they do to strengthen their neck muscles so as to help them in battle with those competing for the affections of the does. photos by (click pic) mark smith, toby melville, luke millward and greg morgan in london’s richmond park. (see also: more autumn rut in richmond park)

flybrows

asylum-art:

Martin Wittfooths Beautiful and Disturbing Paintings of Animals in Post-Apocalyptic Settings

Martin Wittfooth’s intensely allegorical paintings all suggest the future of the human condition — without showing a single person. The Brooklyn-based painter has transcended the illustrative genre and entered into the realm of modern masterworks, using a time-honored painterly tradition that may be painstaking, but reveals incredible depth in both medium and content. His paintings are haunting in that they have a feeling of real possibility. The familiar scenes hint of dystopia and disrepair; their animal subjects are beautiful, but also betray that something in this world is amiss. In light of the long-awaited recognition and acceptance of climate change, Wittfooth’s work has an undercurrent of forewarning about what could happen if humans don’t get our act together. We spoke to the artist about his post-apocalyptic vision, classic style, and the  of using animals instead of people as subjects.